Many of the details of events that lead us into the disastrous invasion of Iraq are fading, like too many other important details tend to do. One of the things the Bush administration did was to get rid of the director of Organization for the Prohibition of Chemical Weapons, José Bustani. Bustani got some justice when he won the Nobel Peace Prize, To Ousted Boss, Arms Watchdog Was Seen as an Obstacle in Iraq
But Mr. Bustani and some senior officials, both in Brazil and the United States, say Washington acted because it believed that the organization under Mr. Bustani threatened to become an obstacle to the administration’s plans to invade Iraq. As justification, Washington was claiming that Saddam Hussein, the Iraqi leader, possessed chemical weapons, but Mr. Bustani said his own experts had told him that those weapons were destroyed in the 1990s, after the Persian Gulf war.
“Everybody knew there weren’t any,” he said. “An inspection would make it obvious there were no weapons to destroy. This would completely nullify the decision to invade.”
…..Getting Mr. Bustani fired took some doing. Washington failed to obtain a no-confidence motion from the chemical weapons watchdog’s executive council. Then the United States, which was responsible for 22 percent of the agency’s budget at the time, threatened to cut off its financing and warned that several other countries, including Japan, would follow suit, diplomats have said.
Former UN ambassador John Bolton ( and unbelievably also mentioned to be a possible presidential candidate in 2016) said that Bustani did not make the chemical weapons argument until after the invasion. Which is ridiculous considering the timeline, Bustani was working on getting Iraq to join the OPCW since the late 90s and was getting more and more cooperation. Bolton was and still is a very good neocon, he believes in the doctrine of the Big Lie, repeated loud and often, he is a master of bull. He probably suffers from something like O.J. syndrome, he has been BSing for so long he has begun to believe the twisted narrative in his head.
Grand Bal poster for a Swiss film festival, March 23, 1929. They’re difficult to see, but the Cubist-style jazz musicians are an especially nice touch.